Monday, May 18, 2020
The Distorted Images in Heart of Darkness - 4513 Words
The distorted images in Heart of Darkness Abstract In Heart of Darkness, Joseph Conrad exposes the evil of the imperialism and pays sympathy to the oppressed Africans. But affected by imperialist ideology, he serves as a racist and a defender of the imperialism when he attempts to condemn the colonizers. This paper will be analyzing the distorted images in Heart of darkness from the perspective of post-colonialism and Orientalism theory. The present paper is divided into five parts: Part 1 is a brief introduction of the author as well as the main idea of the novella. It also makes a clear the writing purpose of the thesis. Namely, to reveal and study Conradââ¬â¢s imperialist thought in light of the analysis of the distorted images in theâ⬠¦show more contentâ⬠¦Achebe says that ââ¬Å"Heart of Darkness portrays the image of Africa as ââ¬Ëthe other world,ââ¬â¢ the antithesis of Europe and therefore of civilization, a place where manââ¬â¢s vaunted intelligence and refinement are finally mocked by triumphant bestialityâ⬠. (15) Savagery and primitiveness which are the distorted images of Africans are evidently represented in the novella. 2.1 The distorted African men. 2.1.1 The word ââ¬Å"niggerâ⬠Conradââ¬â¢s attitude toward the black natives can easily be found from his vocabulary usage. When he describes the natives, he seldom uses the common word ââ¬Å"blacksâ⬠to show his respect toward them. For him, they are no more than ââ¬Å"niggersâ⬠. According to Dorothy Hammond and Alta Jablow the word ââ¬Å"niggerâ⬠had fallen into disrepute by the 1880ââ¬â¢s, so there is little doubt that Conrad would have been aware in 1898 that the word ââ¬Å"niggerâ⬠was insulting (53). But, he still uses it in his novel. Conrad expresses deep sympathy for the native blacks, but he appears to accept the inequality between white people and black people. Conrad would not use the word ââ¬Å"brotherâ⬠, and the farthest he would go was ââ¬Å"kinshipâ⬠in Heart of Darkness (Achebe 11). Recognizing this fundamental flaw in Conrad, Achebe thus labels the white European author a ââ¬Å"thoroughgoing racistâ⬠(11). The na rrator in Hear of Darkness is Marlow not the author Conrad. But actually, Marlow is the speaker of Conrad, whose narration shows the attitude of the author. 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